It’s hard to think of a film that has tapped so well into the Berlin party scene. Last year’s Victoria opened on a club night, but quickly took us elsewhere. Certain soundtracks have used adrenaline-fueled techno to help tell their film’s stories – Run Lola Run comes to mind. And certainly there have been films about partying specifically, like 24-Hour Party People or Berlin Calling. But Der Nachtmahr might be the best film ever to weave the pounding, textural sounds that define Berlin into an immersive, exciting story. And it’s amazing!

We open on a warning: “The strobe effects in this movie may cause seizures”. Also: “This movie should be played loud!” And it’s true! There’s a special feeling of being in a loud, intense club – it’s one of frenzy, euphoria and disorientation, punctuated by surreal melodies and anchored to powerful beats. Der Nachtmahr is full of these things, but it doesn’t use these sights and sounds gratuitously – it all makes sense, often underscoring the psychological state of the protagonist.

The movie is a thriller. Not quite a horror, not gory, not gross. It does keep your heart rate up, does have some gasps and edge-of-your-seat moments. The lead girl is super cool and really easy on the eyes, and her struggle is an intense, fun one to identify with. The overall meaning of the plot is labyrinthine and ambiguous – I certainly cannot say what really happened, even. In this sense, it’s sort of a Lynchian film, with some Requiem for a Dream vibes. It’s a super cool movie and everyone should check it out!

The movie starts in cinemas today. In German language at Moviemento, Kulturbrauerei and CinemaxX, and in German with English subtitles at Filmrausch and Central.

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