It’s hard to think of a film that has tapped so well into the Berlin party scene. Last year’s Victoria opened on a club night, but quickly took us elsewhere. Certain soundtracks have used adrenaline-fueled techno to help tell their film’s stories – Run Lola Run comes to mind. And certainly there have been films about partying specifically, like 24-Hour Party People or Berlin Calling. But Der Nachtmahr might be the best film ever to weave the pounding, textural sounds that define Berlin into an immersive, exciting story. And it’s amazing!
We open on a warning: “The strobe effects in this movie may cause seizures”. Also: “This movie should be played loud!” And it’s true! There’s a special feeling of being in a loud, intense club – it’s one of frenzy, euphoria and disorientation, punctuated by surreal melodies and anchored to powerful beats. Der Nachtmahr is full of these things, but it doesn’t use these sights and sounds gratuitously – it all makes sense, often underscoring the psychological state of the protagonist.
The movie is a thriller. Not quite a horror, not gory, not gross. It does keep your heart rate up, does have some gasps and edge-of-your-seat moments. The lead girl is super cool and really easy on the eyes, and her struggle is an intense, fun one to identify with. The overall meaning of the plot is labyrinthine and ambiguous – I certainly cannot say what really happened, even. In this sense, it’s sort of a Lynchian film, with some Requiem for a Dream vibes. It’s a super cool movie and everyone should check it out!
Karo is not having an easy time in Berlin right now. She lost her job, her boyfriend too, and no one seems to have much sympathy for her. Much like the title of the film that she is the main character in, she feels like a Mängelexemplar, which is the quirky German word for a book that has some flaws. Don’t we all feel like this somehow? Like something is not quite right with us and that that’s the reason our life is not going as we had hoped? Karo perfectly embodies these self-doubts with her neurotic, yet charming and funny self. She is the type of girl that you just want to cry with when you feel horrible. After the jump: her 8 favorite places to cry in Berlin and the trailer for the new film that is released in cinemas today.
“Many recent articles have attempted to tackle the subject of dating in Berlin, explaining why and how the dating scene here is seen as a difficult one. People are said to ‘fall in love with the city and only with the city’.” This is the summery of the documentary film Berlin Way of Love.
Does this sound familiar to you? To be honest it sounds familiar to me. And to be even more honest it’s probably about me. Through a combination of funny circumstances I was asked to participate in a short documentary about love in Berlin called Berlin Way of Love. Together with Jule Müller from im gegenteil we had a short interview session where we had to share our “expertise” ( hilarious!) about dating in Berlin and why it is so difficult. The cherry on top of this absurd situation was that I had to talk in English which I did with my strongest, most charming German accent. As you might imagine watching the final documentary is not as fun for myself as it might be for you. But still I have to admit that it is a very charming short movie with some funny insights about dating in Berlin. If you want to see Berlin Way of Love you have to find out the upcoming screening date after the jump.
The Berlin underground scene is one of the most diverse in the world. Makes sense – where there is a large society, there is also an underground, an anti-pole to the mainstream. If you look around the Hip Hop scene nowadays, a lot of things have changed. The subcultural character of Hip Hop seemingly vanished and slowly but steadily German Rap became mainstream. But still, Hip Hop is the voice of the unheard, an organ for the youth and a space for resistance.
Young filmmaker and and photographer Mirza Odabaşı took it upon himself to go back in time, to the origins of Berlin and German Rap culture and met up with a wide range of artists and personalities from the scene. In his documentary LeidenSchafft, a pun from the words “passion”, “misery” and “creation”, Odabaşı goes into the deep meanings of the local Rap culture, talks about identity and finding and defining yourself in and outside of the music. He met up with many icons of the scene, ranging from well-known artists like Marteria, Chefket, Eko Fresh and many more to rather Oldschool trailblazers such as Killa Hakan, Marcus Staiger or Spaiche.
In 43 minutes Odabaşı manages to get into topics such as experiences of social exclusion, some of the possible reasons to why Hip Hop is so popular amongst the alleged socially disadvantaged adolscents and portrays the people shaping the German Hip Hop scene in beautiful images in Berlin.
In that way, “LeidenSchafft” is a look back and an appraisal at the same time, bringing light to the underground. And human emotions.
See some impressions of the film and a teaser after the jump.
While reading fairy tales as a child I never understood why the girl protagonist was so weak and defenseless and had to wait for a prince to come save her to achieve happiness. At that time I did not understand that society wants girls to be helpless and dependent on men. Even if sexism and inequality between men and women exists in all societies, there are different realities in several countries. But what strikes me the most is the inequality that can exist inside one country, for instance between the countryside and the cities. Take Turkey for instance, where Istanbul is a free and modern city and the countryside still has the mentality of medieval times.
A wonderful but sad description of this circumstance of Turkish society is shown in the movie Mustang by female director Deniz Gamze. The movie was nominated for many awards this past season: the Oscars, the Golden Globes and in Cannes, where it premiered and even won. Nonetheless it was rather a coincidence that I went to a small independent cinema in Friedrichshain called Ladenkino to see this movie. My impressions of this film, after the jump.
Berlin in the 1950s: A time where dancing schools were omnipresent, skirts were long and women’s empowerment was still in the early stages. Often romanticized as the time with red lipstick, proper hairdo’s and gentlemen, it really was a time of change. The phase right after the war and into the economic miracle was a time of imposition. A time where the fight between prudery and emancipation often culminated in dancing schools that were pretty popular these days. And then Rock ‘n’ Roll came into town. And with it a sort of liberation in dance, that no one could stop.
This is exactly where the three-part series Ku’damm 56 takes place. The TV series from the German public service television ZDF revolves around young Monika Schöllack who, after improper behavior, has been expelled of home economics school (yep, that was a thing back then) back to her family in Berlin. Worried about Monika ever finding a husband her mother Caterina manages the dancing school ‘Galant’ on her own and is shocked when she finds out that Monika discovered Rock’n Roll. From then on, nothing stays the same.
The three-part series is well researched and tackles the subjects of female identity, the uprising wish for equality and the universality of human emotions. You can see the last part of the German series at ZDF this Wednesday at 20.15h or watch the whole series online here.
See a trailer right after the jump.
illustration: Jacqueline Pulsack
I LOVE going to the movies. I love seeing visual art and storytelling on the big screen, hearing sound through big speakers, my senses encapsulated. I love the architecture and physical space of going to the movies, entering from city streets into a particular lobby and then into the seats of an auditorium. I love the social aspect of congregating in a dark, silent room with others to pay attention to something important. Yes, I enjoy watching movies at home, but there’s something about a formal start time, a public event, a demand for reverence without distractions that only the cinema provides.
When I moved to Berlin from New York, I was worried how hard it might be to enjoy going to the movies. One of the best things about New York is its unabashed love for film, and the many wonderful theaters that celebrate quality cinema. The German-speaking world is such a big market — and most people are so subtitle-averse — that American films are generally dubbed over in German for theatrical release. If your German is still as bad as mine, this can be a serious problem!
It’s here! One of the world’s premiere film festivals sets up shop for the next ten days in theaters all around the city. Are you going? Yes, it can be a bit of a hassle to try and snag tickets, since it feels like the whole film world descends on our city – Hollywood insiders, independent financiers and other various movers & shakers. But it’s also fun to get swept up in the hype, especially when there are such good films to see! And there’s still time to get tickets to tons of films through the Berlinale website – tickets are released three days before the screenings. To help you navigate the crazy 400 + films in the programme and the goings on around the cinema, here are our Berlinale recommendations.
photos: Erika Lust Films
Yeah yeah yeah, sex sells. What kind of sex though? When you watch recent music videos, a lot of them could be a trailer for a dirty flick, for sure. Sex is a part of pop culture and sneaks in everywhere, making suggestions, taking advantage.
The porn industry – despite the millions of free films online – is still a billion dollar industry. Somehow, it is also a barometer of how society thinks about sex, I guess. Depending on what new genres come up, it says a lot about where the culture stands, what’s up and coming – pun intended.
Erotica for women is a rather newer genre. Erika Lust is – no pun intended this time – the shooting star of it, you could say.
With LOVE the provocative director Gaspar Noé is bringing us one of the most sexually explicit movies into the the cinemas that we have seen in a long time, and in this case even in 3D. Actually, the regular multi-plex might have a hard time actually showing this one, because it’s THAT explicit, so you will more likely find the film in more alternative movie theaters.
Even though the title suggests otherwise, this is not a sweet love story, this is the story of a broken man who thought he found love, messed it up and now suffers from it. What he thinks was love pretty much resembles some of the best and most intense sex that he has had with a former girlfriend and that pretty much let’s the viewer wonder how much this character really understands the actual concept of love which clearly goes beyond that. However unlikeable he seems to us, the sex scenes are quite fantastic and not as seedy and sensationalist as you would expect. The intimacy and passion seems real and, like it or not, it will get you in a certain mood. Especially the threesome scene is regarded as a highlight amongst fans of the film. We love that the director is breaking the norms of cinema by openly showing sex as part of relationships and life as explicit and beautiful as it is.
If you want to have a chance to see it here in Berlin our friends from Mobile Kino are hosting a late night screening of the raunchy film (in 2D) at Griesmühle this Wednesday, go check it out. Some photos and a trailer after the jump.