photos: Natalie Mayroth
When you think of theater, what comes to mind? Does the term ‘Digital Age’ pop up somewhere? Probably not, right? But don’t worry: since staged theater is widely perceived as more of a traditional medium, it’s just natural that we do not think of this right away.But the theater is a place to depict current subjects and social discourse. And one ongoing and very current topic is the Internet and Social Media. Obviously. (Hi, this is a blog.) Which is why the theater network cobratheater.cobra and the Theater an der Parkaue created Haus der Digitalen Jugend (House of Digital Youth) and decided to put together PRISMA – The digital Kick-Off Festival that is “kicking off” tonight.
Berlin loves trash. Especially when it is on the interdisciplinary intersection between performance art and club culture. This Friday is the premiere of a A Lovely Piece of Shit, a dance theater performance at the club Mensch Meier by the Swiss theater company Extraleben. This piece is all about a fairy tale land called Wummerland where unicorns eat techno bass, the mirror always smiles back at you and nobody ever thinks about tomorrow. I don’t know about you but this setting reminds me a bit the Fusion Festival, where everybody escapes once a year to have a colorful peter pan experience. In any case we are really looking forward to this attempt to combine theater and party experience. Also I think that it is a wonderful opportunity to check out this new club that everybody is speaking about right now. Check out some photos and the trailer after the jump.
photos: Olga Khristolyubova
Big business is a big game that nobody in Berlin really wants to play. The big players of German economy are only visiting town for a chitchat with their creative agency filled with hot interns all hoping for a spectacular career or at least a spectacular Instagram stream. But true fact is, that the real money business is not happening in Berlin. Or maybe we just don’t see it very well.
Creating visibility and an understanding for the mechanics of the dirty business world is not always easy. Therefore I am looking very much forward to the theater game Monypolo in Summer 2016 from the makers of Game of Life. Until then we can prepare our self to play. In a short theater prequel series at Ballhaus Ost several topics around the strategies of business life will be presented during the year. Tonight is the premiere of the third episode. The topic evolves around consultancy companies. Find out the dates of the play here and check out the photos of this trash glam spectacle after the jump.
photos: Anna Agliardi
Working as a contemporary dancer is incredibly hard. You need an amazing passion (and talent) to have a real shot at something called a career. But even with all the attributes that might define you as a perfect dancer getting jobs in Berlin is not easy. Fortunately there are places and events that have so much dedication for contemporary dance that I might have some hopes for the future for this discipline here in town.
Once a year the festival Tanztage Berlin at Sophiensaele brings together all the passionate people and the most enthusiastic newcomers the city has to offer. Last night we saw the premiere of the two pieces Vox/Dust that opened the festival. Especially watching the four handsome guys perform the second piece Dust by choreographer and dancer Roderick George was an amazing experience. They had such an amazing energy and an intense vocabulary of movements. Tonight you have another chance to see it. Photos and a trailer of the piece Dust, after the jump.
photo: Anna Agliardi
Last weekend the stage of HAU2 became an arena of incredible dance talents. Named after the groundbreaking movie from the 80s Paris is Burning, portraying the ballroom scene of New York’s black transgender communities, this weekend’s dance competition Berlin is Burning combined the voguing with hip hop dance community. Germany’s two urban dance festivals, Funkin’ Stylez and Berlin Voguing Out joined forces for a weekend of workshops, panel discussions and a phenomenal dance battle. Theater photographer Anna Agliardi went for us to HAU2 to take some photos. Check out her impressions after the jump.
photo: Marc Coudrais
Do you remember the good old days when the whole family went to the ballet to see the Nutcracker or Swan Lake for the holidays? At least in Germany it is a tradition on Christmas to go to the theater or to the ballet. Usually the Christmas program is very charming and family-friendly. If you have your parents coming to visit and want to experience this kind of theater I recommend you check out the program of Staatsballett and Komische Oper (but if you really want to go remember to book your tickets in advance)
The good thing in Berlin is that there is always the extreme opposite to all the typical German traditions. We found an unusual and intriguing selection of hot contemporary dance pieces and events coming up in the next few weeks, that we would like to present you here. The pieces after the jump might not be family friendly, but will definitely crack some nuts (in one way or another). Our list with photos and trailers after the jump.
Dance is a very important cultural element in the creative landscape of Berlin. Even though I have a stronger intellectual response to contemporary dance and more abstract body performances than to classical ballet, I do appreciate the precision, body control and beauty of ballet dancers in a well-done choreography. For myself going to see a piece of Staatsballett Berlin is somehow a guilty pleasure of visual entertainment, I recommend to everybody in need of some artistic and emotional satisfaction.
Fear, vulnerability, passion – the dark extremes of human emotions are the source of inspiration for a new program from Staatsballett Berlin. In Duato | Kylian | Naharin three international choreography stars created a dancing work of incredible power. While “Castrati” by Nacho Duato revolves around the fear of an aspiring singer before castration, Jiří Kylián’s “Petite Mort” deals with the aggressive as well as the vulnerable sides of sexuality. “Secus” is an abstract work by Ohad Naharin, based on power, extremes and raw meat.
Photographer Yan Revazov had the chance to visit the rehearsals of this intense program and took some beautiful pictures. Take a look over these powerful impressions, check out the making of video and find out how to win tickets for the upcoming shows, after the jump.
Tribal tattoos are kind of an atrocious relict of the 90s that we can’t really get rid of in Berlin. Even if you spared yourself of those tasteless artifacts you will still encounter them on random bodies of friends, lovers and gym-buddies. But if you think about it the most damage has not been done to us Westerners, who have no real connection to those symbols and signs, but to the indigenous tribes who got their sacred tattoos “stolen” and westernized in the context of a body trend.
But that is actually not really what my article should be about, but rather this: Did you know that Samoa (near New Zealand) was once a German colony? And did you know that Germany used to have “Völkerschauen” where they presented indigenous people like Samoans in zoos just to entertain and “educate” the public about the wild people? A century after they were lucratively exhibited in German Zoos, three of them return to Germany in a folk-colonial spectacle by the Berlin choreographer Jochen Roller and the Samoan performance artist Yuki Kihara at the Sophiensaele. The piece Them and us is a mixture of hybrid choreography and film, in an extremely pleasurable way, the protagonists develop a re-writing of the German anthropological viewpoint of their former colony of German Samoa. Check out the dates and some photographic impressions after the jump.
“We make things that break easy. We people don’t!” – That is the outspoken subtitle of the new documentary/theater/dance piece The Ghosts by Costanza Macras at Schaubühne. Featuring underaged but incredibly talented acrobats from China telling the story of their lives in between acts of artistic braveness this piece has a quite unusual but nevertheless engaging and interesting topic. For Macras the Chinese acrobatic artists, who once were celebrated for their bravery now live in materially precarious, ghostly conditions. This manifests a metaphor for life in contemporary China, with its contradictions, social injustice and power structures. Those who once brought the country glory and honor are discarded as soon as they are no longer top achievers.
Instead of taking the audience by storm with a strong and unstoppable ensemble as in Macras’ previous pieces, The Ghosts comes to life through the three Chinese girls who were the heart of the piece. Also, the dynamic with the audience (and maybe also an unplanned manipulation) was quite special in my opinion. The young girls presented the circus acts they usually show to the visitors of an old amusement park on a little Chinese island. The audience bamboozled and often even clapped between the acts as if they where in a circus instead of a theater. I think most of the (intellectual) audience in this kind of theater would rather disapprove to watch underaged children perform dangerous acts for their amusement. But out of the context and hidden as “documentary theater” I guess that some people actually quite liked the adrenaline pumping acrobatic talent of the performers. This showed to me how easy it is to make people like something, they would normally disapprove of. And this little mind-trick was for me actually the best thing of the whole piece. Tonight you have still the chance to see the amazing piece at Schaubühne. Check out photographic impressions of The Ghosts after the jump.
The good old days of Berlin everybody is constantly mentioning were somewhere in the 90s. There was a period where Berlin was still a Nimbus of freedom. Freedom of thinking loud, acting out and repurposing unused spaces. But between all this freedom some people got lost in drugs, fun, parties and maybe to much carelessness.
In the theater piece “Der Fuchs” premiering tonight at Ballhaus Ost a single character is on stage telling the true story of a typical Berlin 90s biography. Between all the cliches of drugs and techno the piece elaborates on the topic quite intimately and authentic thanks to the talents of actor Daniel Wagner. The stage by Thea Axthelm Hoffmann representing a mixture of artist workspace and hippie loft is in ever changing progression during the play. In front of the eyes of the spectators psychological controversies and abnormal thought chains unfold in a creative space that fails to become a real home. Anna Agliardi collected some photographic impressions for us. More pictures and the dates of the play after the rave.