When we think of our love to Berlin, we realize it has many different phases, faces and places. One of our favorite places is definitely “Kreuzkölln” – the areas of Kreuzberg and Neukölln surrounding the Landwehrkanal. What we love to do in Kreuzkölln ? Conquer it, by walking, biking, skating or dancing. We love the fast pace, the unfinished, the dirty, the truth, its charm, the clash of old and new and of course all the multicultural visitors that add the special something to this little melting pot. Kreuzkölln just doesn’t get boring and Clement Gino has put all our feelings for it and the fast beat of Kreuzkölln into a beautiful video that does not only embrace this particular area but all of Berlin. See for yourself after the jump…
Dance is a very important cultural element in the creative landscape of Berlin. Even though I have a stronger intellectual response to contemporary dance and more abstract body performances than to classical ballet, I do appreciate the precision, body control and beauty of ballet dancers in a well-done choreography. For myself going to see a piece of Staatsballett Berlin is somehow a guilty pleasure of visual entertainment, I recommend to everybody in need of some artistic and emotional satisfaction.
Fear, vulnerability, passion – the dark extremes of human emotions are the source of inspiration for a new program from Staatsballett Berlin. In Duato | Kylian | Naharin three international choreography stars created a dancing work of incredible power. While “Castrati” by Nacho Duato revolves around the fear of an aspiring singer before castration, Jiří Kylián’s “Petite Mort” deals with the aggressive as well as the vulnerable sides of sexuality. “Secus” is an abstract work by Ohad Naharin, based on power, extremes and raw meat.
Photographer Yan Revazov had the chance to visit the rehearsals of this intense program and took some beautiful pictures. Take a look over these powerful impressions, check out the making of video and find out how to win tickets for the upcoming shows, after the jump.
Berlin is such a diverse and inspiring city – so it’s not surprising that musicians love to use the streets of Berlin for their music videos and let their production take place in the city. That often leads to very nice results and we love to watch these videos where you can discover your street or the “Späti” around the corner.
After the jump you can watch some of our favorite music videos shot in Berlin. Do you know even more? We’re happy to hear about it!
Nearly every little girl dreams about becoming once a famous ballerina, right? And the dream never completely disappears even when you get older – the idea of being able to move gallantly through the rooms in a pink tutu, with your legs up in the air and the arms swinging like wings of a swan is to charming…
The photographer Luca Migliore captured this lightness of a dancer and photographed a ballerina in some iconic Berlin places – and we think that’s a winning combination. Here you can enjoy the acrobatic positions of the dancer and simultaneously see beautiful places of Berlin that show a lot about the history of Berlin. See the photos after the jump. Happy dreaming!
Tribal tattoos are kind of an atrocious relict of the 90s that we can’t really get rid of in Berlin. Even if you spared yourself of those tasteless artifacts you will still encounter them on random bodies of friends, lovers and gym-buddies. But if you think about it the most damage has not been done to us Westerners, who have no real connection to those symbols and signs, but to the indigenous tribes who got their sacred tattoos “stolen” and westernized in the context of a body trend.
But that is actually not really what my article should be about, but rather this: Did you know that Samoa (near New Zealand) was once a German colony? And did you know that Germany used to have “Völkerschauen” where they presented indigenous people like Samoans in zoos just to entertain and “educate” the public about the wild people? A century after they were lucratively exhibited in German Zoos, three of them return to Germany in a folk-colonial spectacle by the Berlin choreographer Jochen Roller and the Samoan performance artist Yuki Kihara at the Sophiensaele. The piece Them and us is a mixture of hybrid choreography and film, in an extremely pleasurable way, the protagonists develop a re-writing of the German anthropological viewpoint of their former colony of German Samoa. Check out the dates and some photographic impressions after the jump.
Next month the internationally renowned Lollapalooza festival will take place at the Tempelhofer Airport as the first European edition. 28 years ago the festival started off in Chicago – Chile, Brazil and Argentina joined a few years later. From September 12-13 you can enjoy live performances from various international artists such as Macklemore & Ryan Lewis, The Libertines and Muse or to the local heroes Seeed, Deichkind and Beatsteaks, have some nice food and enjoy many different activities.
We are very much looking forward to this selection of great artists and especially to the wild mix of different kinds of music. At Lollapalooza you can dance in step, enjoy slow beats with tears in your eyes and just have a good time with your friends. Since the Berlin Festival is no longer taking place at the Flughafen Tempelhof, it’s a big pleasure to get the chance to have a look at the premises of the airport – which has become a really rare possibility.
More about the Lollapalooza festival after the jump.
photo: Mirella & Augusto De Bernardi
When we think about “Italy” we instantly have a pre-made set of clichés and stereotypes in our head. We think of pizza, pasta and icecream. We think of a hot-blooded and passionate people. We think of La Dolce Vita. And of Dolce & Gabbana. We think of a country with a glorious past, but also of one with a very fragile and weakened present. The proud Italians are deeply hurt in their pride about what has become of their once so great nation. The Italian youth is utterly lost and disoriented about the meaning of their own identity and worried about their uncertain future.
The performance piece To This Purpose Only is reflecting on the contradiction that Italy is facing right now. Old cherrished rituals and traditions overlap and merge with the new uncertain and alienating conditions of the nowadays unstable country. The directorial duo Matanicola who also brought us the amazing piece bodySLANGuage at Ballhaus Ost last year are responsible for this new production together with the performers of Fattoria Vittadini who already celebrated great success with it on their Italian tour and are now finally premiering in Germany at Radialsysteme this weekend. More impressions and a trailer after the jump.
photo: Ian Douglas
I have heard about the work of Berlin-New York nomadic dancer Jeremy Wade quite a lot in the last years and never made it to any of his shows. The new dance theater piece he is performing at HAU Theater is an aggressive/sexy/disturbing (choose you adjective) monologue about the different aspects of death. In a dark, American-Horror-Story-like queer setting Wade experiments with vehicles for experiencing different deaths – death of theater, value, sense, and attachment. Jeremy Wade uses death as a metaphor to give the audience a wake-up call projecting his research on the death of our Western society into the future. The dates, pictures and a video after the jump.
Tanztage, now in its 24th edition, is showcasing some of the most creative pieces in contemporary theatre, dance and performance art with a marathon spanning 11 days at Sophiensæle. Shining the spotlight on the up-and-coming choreographic talents of Berlin, the festival is putting their thematic focus on the interdisciplinary nature of many young artists who express themselves not only through dance, but various other mediums as well. Through the use of movement and sound, their performances result in a powerful commentary on issues present in contemporary pop culture. I saw two amazing performances today that challenged my perception of the performing arts—Vincent Riebeek’s Flaming Lamborghini and Noha Ramadan’s Los Angeles—both of which caught me completely off-guard. The former was as sexy as it was shocking while the latter was staggering and transformative. Read on to find out more about these performances and see some photos that are sure to allure you into the world of dance.
photo: Vincent Riebeek
For the Berlin contemporary dance world January is one of the most important months of the year due to the festival Tanztage at the Sophiensaele. This year’s edition has a new artistic director, Anna Müller, and the focus is the interdisciplinary nature of many young artists whose playing field is not just restricted to dance. They set out to discover new worlds or genres and address choreographic issues in pop culture such as: striptease and breakdance, club culture, talk shows and pop music. All things we actually like and want to see on stage more often.
(Side note: Of course I just want to see male strippers on stage because of their effect on my social perception. Male stripping is seen as a social deviance and through its performances creates a sort of equality in relation to the predominantly normative female stripping, giving the women in the audience the feeling of empowerment. And of course I have to take in consideration the visual pleasure I receive as a side-effect from such an important cultural step into gender equality. Therefore I see it as my personal duty to go to any show were hot male stripping is promised on the flyer.)
The eleven day long performance marathon with nine premieres and five revivals invites the audience to discover new choreographic talents and to enjoy contemporary dance in this beautiful theater. Of course we should not forget to mention the fabulous party that will take place there tonight. If you have just a quick look into the program of the 24th edition of the festival you get the feeling as if almost any show has some queer topic. Actually not very surprising since the contemporary dance world consists to 80% of gay men and 20% of feminist women (of course just a superficial assumption based on my subjective experience and not on real statistics) Some recommendations after the jump.