One of my favorite places in Wedding are the Uferstudios. They have become an amazing creative factory for dance and performance in the last couple of years and I had the chance to see a bunch of interesting experimental pieces there that I would have missed in more conventional theaters. As often with off-theater spaces the choreographers and directors working there are young and unknown so far and most of the productions just play a few times only. That is why even for us it is sometimes hard to decide which pieces might be worth the trip and which are not.
Fortunately, the Tanznacht happening over the next couple of days might be the right thing for you to discover this beautiful creative space. From the 28th to the 31st of August 2014 several shows of all kinds are going to take place in the different studios. From a variety of choreographers and dancers performing during the 4-day program we can already recommend the piece by Jared Gradinger and Angela Schubot which we had the chance to see before. Aside from contemporary dance, this year’s edition has a special focus on video performances screened all over the place. Also the courtyard of the location will get a design intervention by Club Real. Discover the whole program here and also check out their magazine. More photos of the performances after the jump.
Our new guest contributor and talented photographer Ole Ukena has a very unique way of exploring and viewing the world surrounding us. For iHeartBerlin.de he discovered a totally different side of Fusion Festival, far away from the big dance floors and main stages. Enjoy his captivating pictures and his thoughts.
It’s been 4 years since my last Fusion. It’s been quiet a journey with this festival which started in 1997. Like most festivals it started really small and it’s goal is to create a “parallel society” without borders, vacation communism (Ferienkommunismus) as they call it. You can dive in on many different levels, watch acrobatics, learn finnish tango, dance to techno, discover amazing bands from all parts of the world, watch art installations or just get as fucked up as possible and stumble around. The choice is yours. More pictures and thoughts after the jump.
photo: Gabriel Zucca
After the Boris Charmatz perfomance last weekend another incredible dance highlight is waiting for you to be discovered this week. From the courtly idyll that sets the scene to the clean, spare vision of a perfect world, the Israeli choreographer Hofesh Shechter creates a frenetic abandon combined with the unbend power of moving chaos. With its powerful, virtuoso choreography, the production touches the dark sides not only of bygone colonial times, but also of our own. An expanded company of 14 dancers is accompanied by an eclectic soundtrack that includes original music by Shechter himself. The Foreign Affairs Festival brings us this master piece of modern dance, which should not be missed by dance enthusiast and theater lovers. After the jump you find the trailer, the dates and more pictures.
On a cloudy Saturday afternoon I took my new bike to the Sowjet Monument of Honor at Treptower Park. This time not for a normal bike trip though. The Foreign Affairs Festival is in town and celebrates the arts of music dance and theater bringing rare pearls of contemporary culture from all over the world to Berlin.
One chapter of the festival is contributed by Boris Charmatz and his Dancing Museum. This artistic association tries to document, preserve and work with art history in an unusual way. Questioning the potential of remembering the historic background, the dancers and the essentials of the choreography itself, Charmatz created a diverse parcours across 20th century dance history. The dances ranging from Meyerhold’s biomechanics, folk dance and Vogueing to contemporary dance where shown and explained by the dancers themselves. This way they became art pieces, curators and museum guides in one person. Impression from the dancers and some short thoughts after the jump.
photos: Florian Braun
Retrospectives are usually more of a common thing for older, established artists and do not fit the usual style of the fast changing league of Berlin’s avant-garde. But it seems that looking back has become the new fast forward in this town. In the case of the dancing duo Jared Gradinger and Angela Schubot we really don’t mind to see a retrospective of all their work they have done so far at the HAU Theater. Gradinger has also created the little fluffy Pictoplasma monsters we love so much and gathered some international reputation working with Costanza Macras in the past. I prefer there earlier pieces like Is Maybe to the latest, but make up your mind for yourself. Check out the Facebook event for all the details. More hot dancing pictures after the jump.
On Fire is the current program of performances at Dorkyparks’s Studio44 curated by Constanza Macras and Tamara Saphir. They have invited performers from South Africa on the topic of gender and tradition. If you have a look in the gallery of the performances that have already been shown you will see it’s a very diverse and colorful program.
Today we would like to recommend you the two pieces that will be shown tonight and tomorrow starting at 19:30 and 21h. The first one is a dance duett titled Mandioca by Dorkypark’s amazing Ronnie Maciel and South African dancer Lucky Kele. Right after you will see the piece Wena Mamela with and from South African choreographer Mamela Nyamza. A few more details and photos after the jump.
photos: Bettina Stöß
While growing up in East Germany but coming from Italy, I had quite the strange childhood experience. I was the first kid with a “migrant” background at my school and everybody treated my like some sort of alien (even if my father is German). I remember one of my teachers touching my hair and looking into my eyes and saying: You are like the “little Muck” from the fairytales from Thousand and one Nights. She had never seen a kid with my skin and hair color before. Personally, I was always a little attracted by the ancient Arabic world, the beautiful illustration and wonderful symetrie of the architecture. Also, I know from several sources that sex was not always a tabu topic in the Arabic culture. I think the famous book One thousand and one Nights is actually the most obvious proof that there where once more playful sexual behaviours then nowadays in the Arabic culture.
The recently premiered ballett The Nights by the Staatsballett Berlin is showcasing several choreographies inspired by One Thousand and One Nights by the same choreographer who chreated the amazing Snowhite Ballet. Read my impressions of this ballet after the jump.
photo: Enrico Nawrath
Sometimes a dance or theater piece is simply so amazing that it seems impossible to write a review that would measure up to the experience of seeing the piece. Still, I will try to make the effort, because I have to recommend to you the Open Square, a piece by Itzik Gallili at the Staatsballett Berlin.
The whole piece is a post-modern celebration of lights and shadows reflecting on the human body. I never saw a choreographic work that would use the postures and movements of ballet and was capable of creating a different context. Open Square is not just a dance piece, but more a ritual. A magic that demands to bend the limits of the human body and leave the constraints of our mind. The world premiere by the Israeli choreographer is a fierce move for the company in a more unconventional direction and it proves to be the right step to take. Everyone who is usually afraid of girls in tutu and boys in leggings should venture into the ballet world by seeing Open Square. It will open your mind like a box of Pandora and make you forget all prejudices and retentions you might have towards this form of art. More impressions and dates after the jump.
photo: Dario Jacopo Lagana
For great contemporary dance you do not only need amazing performers but also a good space. Luckily our favourite independent theater Sophiensaele has probably one of the most central and beautiful dance stages in town. In terms of dancers you can be sure that inhouse curators like Peter Pleyer (whom we already interviewed before) know where to find the craziest and most talented characters the international dance scene has to offer.
These are just some of the reasons I am excited about the current Tanztage Berlin Festival that present a diverse program full of surprises from January 4-14, 2013. The focus of this year’s edition are the “wild children” of dance in town, meaning the dancers and choreographers that don’t have a typical university degree in dance or choreography but are coming from another context which obviously influences their work. I think this already shows how open-minded the Sophiensaele work. The whole festival is suited also for a Non-German speaking audience. Some recommendations after the jump.
photo: Bernhard Musil
Contemporary dance is a lot of things: beautiful, inspiring, energetic, traumatic and sometimes boring. But it is almost never funny. Unless you are watching a piece of Nir de Volff collective Total Brutal. The performances of the Israeli choreographer who started his Berlin career by making crazy pieces in Dock 11 at Kastanienallee never lost their black and outrageous humor. So maybe it is not a cliché after all that Jews have a good sense of humor. Anyway, his new pieces premiering this week at Sophiensaele does not only have some sexy dancers to show off, but also a very intense topic. Two cities – Berlin and Tel Aviv – struggling with financial issues and political troubles have a hard time to work on their future. Its young inhabitants dance their pain away instead of worrying about the problems. Inside a vibrant nightclub 5 dancers meet and talk about their fears of the future. Reminiscent of the Golden 20s the nightclub transforms into a cabaret of anxiety. Photos and dates after the jump.