Do you remember your first art class at school? Where you were allowed to play with watercolors for the first time and be fascinated by how the colors lose their saturation when you use more water? Now think about the whole experience with a glass of premium sparkling wine in your hand and with your best friends by your side. This is the moment you might wonder what kind of ‘results’ your art class would have brought to light back then under these circumstances :).
Once per year the premium sparkling wine Mumm Sekt releases a bottle set in collaboration with an artist. This year the collaboration is with famous fashion photographer Kristian Schuller. His design for the three different flavors of Mumm Sekt is the first time they take advantage of the medium of abstract photography. Read more about the collaboration here.
photos: Vismante Ruzgaite, GIFs: Frank R. Schröder.
Finding a nice apartment in Berlin has become a serious hustle. You have to compete with lots of other people for a little one-bedroom apartment for 800 Euros in Wedding – if you are lucky. All these other people have better jobs, more savings and a much more stable personality than you in stress situations. But imagine that instead of having to prove your financial security you would need to partake in a dance competition in front of your landlord to get your dream apartment in Berlin?
In the newest piece by Costanza Macras “Der Palast” that premiered earlier this month at Volksbühne this absurd scenario becomes a reality. Several couples compete in a reality show competition that reminded me of Dancing with the Stars. Of course, the whole show is not linear but more like a mosaic of all kind of little stories, dance episodes, and funny group scenes.
photos: Olga Khristolyubova.
How might the world be like if machines were kings and humans were slaves? If powers were shifted and the automatization would prevail over emotion? In her newest piece Rauschen which premiered last week, Sasha Waltz managed to create a kaleidoscopic dystopian nightmare. The main topic: the struggle of man against machine and the toxic way our society revolves around our egos.
For Sasha Waltz Rauschen is her first piece produced for the big stage of Volksbühne. A stage that has a lot of problematic theater history to carry. But her piece is time and spaceless. It does not need references to be emblematic on its own.
Collage: house of killing
When I met Frank, the founder of iHeartBerlin, 14 years ago he told me he had already written his own little series of books. I was super enthusiastic and asked him to borrow it to me. When he took one out of his bookshelf I was really surprised by what he gave me. It turned out to be a little self-printed booklet telling one self-written episode of The X Files. I knew the series from TV but didn’t understand what he was showing to me. Nowadays I know: He was writing fan fiction.
The idea of being such a fan of something that you dedicate your time and energy to write your own story happening in a certain fictional universe blew my mind. But also I have to admit that my surprise was followed by arrogance. This is not “real” literature I thought to myself. But why wasn’t it real? Because it was self-published? Because it wasn’t meant to be sold to anybody? Or because I did not appreciate the originality of it since the characters and the narrative-universe already existed?
Nowadays, I have a different perspective on fan fiction. I know that it is an authentic art form that is anti-capitalistic since it does not need to be financially successful. Also, it is often queer and feminist because many of the fans from the LGBTQ community create their own version of popular stories. A gay Harry Potter? A black Hermion Granger? Why not! The main purpose is the pleasure the fan community experiences in sharing their material. Did I get you intrigued with my story by now? I hope so!
How does the Apocalypse taste? What would you like to drink on the last night before the world ended? Maybe your choice would be Champagne? Or would it be a refined cocktail with a wildflower swimming in it?
The newest production Violetter Schnee by Staatsoper Unter den Linden is all about the end of the world. Five people are trapped inside a bunker and when they leave it to see if the world is alright they discover they are doomed forever.
The opera is inspired by the cult movie Solaris from Andrei Tarkowski where 3 men float in space around an enigmatic planet called Solaris. Since this movie from the 70s is rarely shown in public, together with Staatsoper we decided to create a unique night to present this nostalgic piece of cinematic art.
»Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers, and without finding what lies behind doorways that he himself has sealed.« ― Stanisław Lem, Solaris
For many years now Berlin has opened new doors and possibilities to us as a magazine. Some collaborations where coincidences, others grew over time and space and became something as real and important as the digital work we do.
Since the re-opening of the Staatsoper Unter den Linden after its decade-long renovations, we had the pleasure to collaborate with the team of Staatsoper in several projects so far – always with the goal to open up doors and minds for new audiences to the magic of Opera, classical music and dance.
Dance is an expression of the body, while fashion design gives the body new form and function. Can both become one in an only and unique genre? Last Saturday the new Hybrid-Art Space TRAUMABARUNDKINO presented its first in-house production combining contemporary dance choreographies with the presentation of four young fashion talents.
We had the opportunity to experience the performance NOW YOU MAY TELL THAT I’VE BEEN SEEN BY YOU and were incredibly stooked by so much creativity from different angles coming together.
While the grey November is already in full swing, we had the chance to escape the cold and darkness of Berlin Winter for one night. We recently had the chance to travel with our eyes and our taste buds to one of our favorite countries to visit for holidays: Italy.
The Italian olive oil brand Bertolli invited us to take part in a workshop about Italian food culture. Together with 10 other media colleagues, we spend an evening with Aperol Spritz, little Italian delicacies and lots and lots and lots of different oil blends to taste.
photos: Jule Müller
Some love art and some love pasta. We love both. So switching between fancy art events and delicious Italian cuisine might be a challenge in the next few days of Art Week for us.
The reason: the True Italian Food Festival is in town and is bringing lots of amazing restaurants together in one big food event. The idea is to offer a special regional dish with a drink for only 7 EUR. Very convenient for shy foodies who usually might not try the craziest thing on the menu.
Today the festival hits off and goes on until Sunday. Check here for the list of participating restaurants and go on a food adventure with your friends and lovers.
photo: Andrej Russkovskij
The fashion industry is believed to be one of the most toxic businesses for our environment. Billions of clothes are produced every year and in the process, lots of chemicals and dirt gets thrown into our rivers and oceans. But the saddest part is: most of it will maybe only last one or two seasons before it gets thrown into the garbage bin, and a large portion of the produced clothes that was never sold will get destroyed without having ever been worn. This is the shocking truth that everybody knows but everybody also wants to ignore when it comes to their personal needs.
This is not the case for Hanna and Julia. The two Berlin-based designers and Yoga lovers saw an important opportunity in clothes waste to make a difference with an amazing idea: Why not use the strong fabric of old jeans to create new bags for your yoga mat?
With this concept, they created the brand Dzaino which is nowadays making more products beyond their signature yoga bags. For their crowdfunding campaign, they asked me and other Berlin-based people why sustainable local design is so important and why it’s worth supporting. I think the most important part of this projects is to show that in cities like Berlin alternative concepts of multinational brands are tested and can become a reality. A reality that we really need to save our planet. Check out their video and pics of the campaign below and support them here.