Should Dancers Only Have Perfect Bodies?

Should Dancers Only Have Perfect Bodies?

photos: Julieta Segura.

The body of a dancer must be perfect, right? This common prejudice and also restrictive view on dance performers and their bodies was critically questioned by the latest performance piece called Æffective Choreography by Andre Uerba. The premiere took place last weekend at Radialsystem and it was sold out many weeks before. But for everybody who missed it, we have a couple of impressions from the general rehearsal of the performance. 

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A Guide to Dance & Performance Theater in Berlin

A Guide to Dance & Performance Theater in Berlin

photo: Anna Agliardi. 

One of the artistic genres that we as iHeartBerlin have been most excited about in recent years is that of dance and performance theater. We love theater in general, of course, but dance has a special place in our hearts. Maybe because it’s the one thing that creates a bridge between what was historically once our main focus, clubbing, and the world of theater: expression through movement. In fact, a lot of the dance pieces that we cover are heavily influenced by the music and style of the nightlife, which also includes traditional staples such as the ballet.

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A Dark World of Dance – Kreatur by Sasha Waltz

A Dark World of Dance – Kreatur by Sasha Waltz

What if the ugly side of our society could be born into this world in flesh and bone? Fear, envy, and aggressiveness become living creatures that torture, kill and feed on all of us? This nightmarish vision is what you can expect from the new avant-garde dance piece Kreatur by acclaimed choreographer Sasha Waltz at Radialsystem.

The Berlin-based choreographer hasn’t show any new dance piece in Berlin for 12 years now and her comeback is highly anticipated but also critically observed. The reason: her future role as director of the Staatsballett Berlin which caused quite some controversy in the last year.

With Kreatur she definitely showed her critics what she is capable of. Showing transgression, darkness, pain without being obvious or superficial. Especially with the amazing costumes by iconic Dutch avant-garde designer Iris van Herpen Sasha Waltz evokes a turmoil of demons and sinners lost in a world of sterility and artificial light.

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