Piotr Nathan, The Rituals of Disappearance, Berghain, Berlin (2004), photo: © Christine Frenzl
A visual memory can be triggered over and over again by art and architecture. Therefore it is like saying goodbye to one part of your own history when a building or an artwork has to leave its original place. This morning the news spread out that the artwork by Piotr Nathan which is presented in the entrance hall of Berghain will be sold piece by piece on this website.
First I was kind of sad, about the fact that I will not see the entire artwork in the original form again. I remember seeing it over 10 years ago for the first time and being impressed by the fine lines creating the landscape and storms. The artwork is like a mysterious representation of a natural phenomena. Nature that was regarded as divinity in indigenous times and that loved and feared by the little humans at the same time.
The Rituals of Disappearance (2004) have nowadays such a cult-status that it probably won’t last long until its completely sold out (in fact only an hour after its release only a few blank plates were left to buy). The artist prefers to sell it in fragments to the people who have experienced and loved the club, and wants those who danced near the mural to have a part of it. The lasting impression of the complete work should exist only in the minds of those who experienced it at the club. A memory to keep up in mind and cherish for its beauty and brutality at the same time.
And since life ist fortunately not just about old memories let’s be excited about the new dance floor and what artworks will be presented there…
* * *
You might also like these articles on iHeartBerlin.de: