As you probably know we’re big fans of the Staatsballett Berlin here at iHeartBerlin. So naturally, this new video really warmed our hearts when we first saw it: Initiated and edited by Principal Dancer Ksenia Ovsyanick, 45 of the dancers recorded themself at their homes or wherever they spent their quarantine giving a little performance that seamlessly blends over from one dancer to the next as if they all danced together in unison. The result is a cute little collage of all the dancers that give us some positive vibes and smiles in these strange times. Thank you guys for that, we can’t wait to see you back on stage, hopefully soon!
Jorinde Voigt, KÖNIG GALERIE, photo: Roman März
Because of the general lockdown caused by the coronavirus, the entire world has recently become increasingly dependent on the wonders of the Internet. But even Netflix can get boring after some time. Luckily, many Berlin artists and institutions make their collections and performances available online – so you can finally go to that museum or gallery you’ve always been intrigued by but never visited!
photos: Anna Agliardi.
In the last decades, Berlin’s international scene has grown widely and multiple talents from different backgrounds enriched the cultural landscape of the city. One of those fresh talents had her Berlin stage debut last weekend and we are more than impressed.
Choreographer Kiani del Valle showed her first performance piece “Las Casas Invisibles” (Spanish for the invisible houses) with her newly formed KDV Dance Ensemble at the spectacular Funkhaus concert stage.
The place which usually hosts concerts and festivals for avant-garde and contemporary electronic music was the perfect setting for the interdisciplinary performance. With a collective of 10 incredibly strong dancers, she created an immersive story that floated seamlessly from childhood memories into the experience of migration, police brutality and longing for connection.
photo: Anna Agliardi.
One of the artistic genres that we as iHeartBerlin have been most excited about in recent years is that of dance and performance theater. We love theater in general, of course, but dance has a special place in our hearts. Maybe because it’s the one thing that creates a bridge between what was historically once our main focus, clubbing, and the world of theater: expression through movement. In fact, a lot of the dance pieces that we cover are heavily influenced by the music and style of the nightlife, which also includes traditional staples such as the ballet.
The contemporary Opera “Violetter Schnee” (Purple Snow) is a unique masterpiece of enigmatic music and elaborate storytelling. Together with the Staatsoper, we offer a unique opportunity to see this Opera and bring a friend for free.
Imagine the following scenario: The world covered in thick snow that devastates the land and brings no hope for future generations. In this nightmare, the audience of Staatsoper’s new Opera Violetter Schnee meets 5 people trapped in a bunker under the earth. While above them the world is falling apart the two rich couples Peter and Silvia and Jan and Natascha are tearing each other apart with contradictory ideas on what to do with this surreal situation. The fifth protagonist is Jacques who recently lost his wife. To him, the world has no meaning and so he looks in the deepest fogs of the remains of the world for the voice of his lost wife.
The latest double bill by Staatsballet Berlin brings together two exceptional and unconventional choreographers: Sharon Eyal and Alexander Ekman. Both have created brand new pieces for this show that premiered earlier this month at Staatsoper Unter den Linden. If you’re expecting to see some classical ballet you will be in for a surprise, because this is anything but! We had the chance to join one of the rehearsals and take a couple of photos and GIFs for you. Don’t miss this incredible double performance. The last show of the year is tonight, with more to come in March, May and June 2020.
Film and theater premieres are so exciting because you get the chance to see the team behind a production. Therefore we are really happy that we had the great honor to welcome the director of the film Wild Tales Damian Szifron at our Cocktail & Movie Night together with the Staatsoper Berlin.
He is currently rehearsing his first opera production at the Staatsoper: Samson et Dalila. In the course of this, we have planned this event in cooperation with the Staatsoper in order to be able to also show his film work in the opera. The team of Russian Standard and Sierra Milenario has designed two cocktails that embody the Latin American temperament and the incredible energy of the film.
Together with Staatsoper Unter den Linden we have again the honor to invite you and your friends to a unique Cocktail & Movie Night. On the 6th of November, we will first host a cocktail reception at the Kantine of the opera and then show the unique Argentinian movie “Wild Tales” by Damián Szifron at the Alter Orchesterprobensaal.
Wild Tales is putting all the Argentinian spirit for love, sex, violence, and absurdity in six short episodes that reunite in one extremely hilarious plot. No wonder the movie was internationally acclaimed by the critics and the audience. Now nearly four years after Wild Tales was nominated for the Oscar in the category of Best Foreign Language Movie, the director Damián Szifron is making his opera debut here in Berlin at the Staatsoper with his version of Samson et Dalila which premieres on the 24th of November.
When the magnificent Martini Cherry Furter opens the door to the main stage of Ballhaus Naunynstraße to welcome you in, you know you’re in for a treat. What awaits you inside is a feast for the eye thought up by dancer and choreographer Jao Moon and his team. “Everybody Can Be Everybody Can Not Be” is the fourth work of the young performer, but his debut as a choreographer of an ensemble.
Following the strong aesthetics of his previous solo piece Memory of Dislocation, Jao is once again presenting a piece that is visually stunning – not only because of the beautiful stage design by Michi Muchina with light by Emilio Cordero Checa, or the costumes by Billi Lobos, but also because of the unique and talented cast, including the aforementioned Martini, as well as Amada Tinoco, Natasha Vergilio, Francisco Bejarano Montes de Oca and, of course, Jao himself.
photo: Frank Sperling
Do you have a favorite apocalypse? Imagine you could choose between, team atomic war, team climate-catastrophe or team asteroid? Or would you then rather love a real biblical Armageddon-thingy with seven plagues and at least an obese woman pretending to be a dark messiah coming for us all?
The newest dance performance light spectacle by Ariel Efraim Ashbel and friends called no apocalypse not now at HAU 1 is bringing all the weirdest apocalypses to the stage you can imagine. From devastating no man’s land to a world who is formed by black bubbles floating around, the performance collective was able to create with a few simple ingredients a dark, humorous and enigmatic powerplay of images for the audience.