photo: Anna Agliardi.
One of the artistic genres that we as iHeartBerlin have been most excited about in recent years is that of dance and performance theater. We love theater in general, of course, but dance has a special place in our hearts. Maybe because it’s the one thing that creates a bridge between what was historically once our main focus, clubbing, and the world of theater: expression through movement. In fact, a lot of the dance pieces that we cover are heavily influenced by the music and style of the nightlife, which also includes traditional staples such as the ballet.
The contemporary Opera “Violetter Schnee” (Purple Snow) is a unique masterpiece of enigmatic music and elaborate storytelling. Together with the Staatsoper, we offer a unique opportunity to see this Opera and bring a friend for free.
Imagine the following scenario: The world covered in thick snow that devastates the land and brings no hope for future generations. In this nightmare, the audience of Staatsoper’s new Opera Violetter Schnee meets 5 people trapped in a bunker under the earth. While above them the world is falling apart the two rich couples Peter and Silvia and Jan and Natascha are tearing each other apart with contradictory ideas on what to do with this surreal situation. The fifth protagonist is Jacques who recently lost his wife. To him, the world has no meaning and so he looks in the deepest fogs of the remains of the world for the voice of his lost wife.
The latest double bill by Staatsballet Berlin brings together two exceptional and unconventional choreographers: Sharon Eyal and Alexander Ekman. Both have created brand new pieces for this show that premiered earlier this month at Staatsoper Unter den Linden. If you’re expecting to see some classical ballet you will be in for a surprise, because this is anything but! We had the chance to join one of the rehearsals and take a couple of photos and GIFs for you. Don’t miss this incredible double performance. The last show of the year is tonight, with more to come in March, May and June 2020.
Film and theater premieres are so exciting because you get the chance to see the team behind a production. Therefore we are really happy that we had the great honor to welcome the director of the film Wild Tales Damian Szifron at our Cocktail & Movie Night together with the Staatsoper Berlin.
He is currently rehearsing his first opera production at the Staatsoper: Samson et Dalila. In the course of this, we have planned this event in cooperation with the Staatsoper in order to be able to also show his film work in the opera. The team of Russian Standard and Sierra Milenario has designed two cocktails that embody the Latin American temperament and the incredible energy of the film.
Together with Staatsoper Unter den Linden we have again the honor to invite you and your friends to a unique Cocktail & Movie Night. On the 6th of November, we will first host a cocktail reception at the Kantine of the opera and then show the unique Argentinian movie “Wild Tales” by Damián Szifron at the Alter Orchesterprobensaal.
Wild Tales is putting all the Argentinian spirit for love, sex, violence, and absurdity in six short episodes that reunite in one extremely hilarious plot. No wonder the movie was internationally acclaimed by the critics and the audience. Now nearly four years after Wild Tales was nominated for the Oscar in the category of Best Foreign Language Movie, the director Damián Szifron is making his opera debut here in Berlin at the Staatsoper with his version of Samson et Dalila which premieres on the 24th of November.
When the magnificent Martini Cherry Furter opens the door to the main stage of Ballhaus Naunynstraße to welcome you in, you know you’re in for a treat. What awaits you inside is a feast for the eye thought up by dancer and choreographer Jao Moon and his team. “Everybody Can Be Everybody Can Not Be” is the fourth work of the young performer, but his debut as a choreographer of an ensemble.
Following the strong aesthetics of his previous solo piece Memory of Dislocation, Jao is once again presenting a piece that is visually stunning – not only because of the beautiful stage design by Michi Muchina with light by Emilio Cordero Checa, or the costumes by Billi Lobos, but also because of the unique and talented cast, including the aforementioned Martini, as well as Amada Tinoco, Natasha Vergilio, Francisco Bejarano Montes de Oca and, of course, Jao himself.
photo: Frank Sperling
Do you have a favorite apocalypse? Imagine you could choose between, team atomic war, team climate-catastrophe or team asteroid? Or would you then rather love a real biblical Armageddon-thingy with seven plagues and at least an obese woman pretending to be a dark messiah coming for us all?
The newest dance performance light spectacle by Ariel Efraim Ashbel and friends called no apocalypse not now at HAU 1 is bringing all the weirdest apocalypses to the stage you can imagine. From devastating no man’s land to a world who is formed by black bubbles floating around, the performance collective was able to create with a few simple ingredients a dark, humorous and enigmatic powerplay of images for the audience.
Now it’s finally here: the new creative leadership of Berlin choreographer Sasha Waltz at the Staatsballett – anticipated by some and criticized by others. And the season premiere of Plateau Effect by Jefta van Dinther could not have been a more daring choice for the first piece of this new era.
The Swedish choreographer van Dinther is well known in the contemporary dance scene and has been often invited to Tanz im August and to HAU theater. His pieces are known for an emotional radicalness and for not caring about the needs and expectations of the audience. Even if his work is acclaimed by critics and the dance and art world, it is not something you would take your granny or even your parents to watch. Many of his pieces are raw, sexual, rough and often accompanied by a soundtrack you would rather hear at Berghain than in an opera house.
photo: Mathieu Doyon.
August is the month of dance in Berlin. We would love to show you our selection of highlights for the upcoming festival Tanz im August celebrating contemporary dance from all over the world.
Heat becomes movement and movement becomes a dance. While spoken word theaters are traditionally closed during summer for almost 6 to 8 weeks, the dance scene celebrates this period with all kinds of intense programs. While most dance schools, like Tanzfabrik or Marameo, offer intense workshops, for the people who rather watch than dance themselves there is a big festival celebrating the variety of contemporary dance: Tanz im August.
This year’s program has several highlights to offer. Most of the pieces will have their German or even worldwide premiere. This means that the following highlights are more of an intuitive choice than an exclusive selection since we had no chance to see any of these in person. Feel free to check out the whole program yourself and see if something else might spark your interest.
photos: Dieter Hartwig.
When does a dance start and when does it end? What movement is beautiful and what would you describe as disturbing? How can the body language translate into a narrative and what will the audience read in it
These are some of the questions posed by the dance piece Glory by Jeremy Wade. This piece had its premiere 12 years ago at the Tanztage festival and is coming back to Sophiensaele this weekend. The powerful duett by Jeremy Wade himself and Sindri Runudde will show you some aspects of dance you might never have seen before.